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Girl in Library

Winter 2024 Issue

AN EXHIBITION OF SELECTED LITERATURE

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this woman tells me she won’t write a poem about jesus,

Aaliyah Anderson

and, to be honest, the class is baffled

in the way she

enunciates together,

in the way she

structures her incorrect observations

(in a way I do

understand, but residues uncontrollably).

 

in this sermon,

there is no specified *religion is dumb* procedure, yet

the rule waves right here, telling her

we won’t truly care if she says it.

 

instead, she serves,

we eat it.

 

at the end of lecture,

I go up to her,

with sparks of twiddling maybe,

us both needing to clarify

(because ‘unorder then order’ equates to the collapse of these questions),

and it’s her

turning away from me,

ready for the next revelation:

 

can’t you tell, she is demanding secular,

the destruction of an orthodox thought.

 

you know,

I’m like Sylvia Plath

the only woman poet you recognize,

or Jesus of Nazareth,

the happy Jew, disappointing.

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Nani

Tanvi J.

She had Dyed black hair mixed with some white hair

A red bindi on her forehead placed symmetrically

She used to drape a sari with a lot of patterns on it

She was my nani, my grandmother, my friend

 

My nani used to make the best achaar that I ever had

My palate still has that tangy flavour of her achaar

Afterall it was mixed with love and selflessness of hers

I have bitter-sweet memories of her, mostly sweet

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We both used to dance to old retro hindi songs

She was always ready to do an impromptu for me

Nani used to tell me ghost stories of her village

Some of them sounded fake but she said they weren’t

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Nani left me sooner than anticipated

She might be in heaven taking care of the angels

But she had left a lot of memories for me to live on

Her bindi, achaar, saari and her laughter

A Reflection on Choice with "The House on the Embankment"

Anna Stalford

He finds himself in a situation where he cannot possibly win. He holds two aspects of his life very dear. Firstly, his lover Sonya, and secondly, his professional career. He is called upon to speak out against a professor named Gunchuk at the institution where he studies; several executive members wish to remove this professor for his bourgeois viewpoints, which are perceived to be radical. Later, he is also requested to defend the professor by an association who supports Gunchuk. The problem, however, lies in the fact that the condemned professor happens to be Sonya’s father. Glebov recognizes in the quote that if he stays true to his love and protects the professor, he will lose his professional standing and kill his career. If he chooses to speak out against the professor, he cuts ties with Sonya and her family. Many may judge his hesitation in choosing, but upon reflection, the choice is not an easy one for anyone to make. Both elements — love and career — are vital for a happy human life. Additionally, both take time and effort to cultivate. In the end, Glebov’s relative’s sudden passing grants him the excuse he needed to avoid making a choice. In Glebov’s place, I believe I would side with Sonya instead of my career. While it is difficult to rebuild a career from the ground up, it is not impossible. However, finding another suitable life partner who connects with Glebov the way Sonya does would be virtually impossible.

 

It is a matter of the lesser of two losses, and choosing the one which one would be able to come back from. 

A L M A D A L A B E L on Instagram_ _A closer look at the details of the Cru Crewneck Swea

Excerpts from "The Crewneck"

Julia Rasoves

It was not as if John Johnson intentionally distanced himself from the rest of his university class; it could be said that he naturally carried with him an off-putting and obviously subpar aura wherever he went. Once, in his first year at the university, John made an attempt to connect with the higher ups in his year. During the first week of the year, he, upon observation, noticed that other first years left their dormitory doors open to invite other students in to chat. Subsequently, John Johnson propped his oak wood door open with his rented copy of “Introduction to Computer Science” textbook and waited. After thirty minutes went by with no visitors, John decided to wander about the hall. Finding an open door three rooms down, John Johnson entered to find a group of four boys lounging on the room’s two beds. Their conversation, with which they were deeply engrossed, came to a halt as they recognized another had entered the room. Sensing the awkwardness hanging in the air, John Johnson said what he found suitable for the situation: “Hello, I am John Johnson.” While nothing about his sentence was amusing, it was met with poorly stifled chuckles and silence from the group. A number of moments later, a boy said: “John Johnson, did you see the open door?” “Ah,” thought John, “they were confused as to why I came in and now, realizing the door was open, they will understand!” He nodded. “Great, please close it on your way out,” said the same boy. On the walk back to his room and for the next several hours, John Johnson replayed the interaction frame by frame in his mind. Later that night, John Johnson typed out the verbal interaction on a black document, only stopping when his laptop drained itself of battery. He went to bed that night reimagining the interaction in full. He did something wrong, he thought, and he would resign to think about the wrongdoing until he found a solution. This occurrence was three years ago now, and John still had not landed upon a satisfactory answer, though he had, of course, never relinquished the idea that he might find it. There were rules, John Johnson thought. Rules—intangible and untouchable—that governed life at the university. Rules that he did not and was not allowed to understand. The rules he could understand lay alone in syntax errors and binary and so these became his livelihood.

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The reality of life within the inner-circle at the university was at first strange to John. There lay hidden norms that he, very quickly and all at once, was expected to conform to. And conform he did, with a smile on his face. The group, as one might expect, always traveled in groups. One would never find a member of it alone. While they walked in a hoard, if they saw a lonesome student, one member of the group would say: “Alone as always, crazy as always!” and this would be followed by laughs from the rest of the group. Appearances had to be kept when in one another’s company. John soon noticed that his new friends constantly swapped out one cable knit sweater for another, though each was of a similar level of splendor. In order to meet this requirement, John took to rewearing his one and only fine piece of clothing—the crewneck over and over. When asked about his singular choice of uniform, John fibbed that he loved the crewneck so much that he purchased several iterations of it to wear on repeat. Lying, he soon found out, was another one of the unspoken necessities of the group. He learned each of these elements and lived them. He even learned, over the months, to love them. 

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~

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John Johnson was very still. He stood in his wreckage. His once-focused eyes now swam, vacant and empty, a vessel drained of all reason. John had become a stranger to himself, a tragic figure caught in the web of his own madness. He saw red and blue. John thought: “Is it my beloved crewneck, mended and fresh, coming back to me? Yes, I can see it now!” Even when the flashing sirens and the authoritative voices of the police pierced through the fog, John stood aloof with a glazed look of contentment over his features. He surrendered without resistance, his demeanor distant and detached. John Johnson felt very profound in that moment. He gazed lazily at the siren lights atop the car he was being forced into and murmured, though it could not be understood by any of the attending officers or onlookers: “I want for nothing anymore.” The onlookers soon dispersed in groups, as the night had grown very cold indeed and the exhaust from the cars was piling up on their outerwear. The car, with John Johnson, was lost to the darkness. 

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How Cold Water Tastes

Sofia Behas

There’s a crack in my head.
There’s rain coming.
I don’t know how it all slipped through.
I need better structure.
Sorry you got your feet wet,
I didn’t mean to let you drown.

​

The flood tasted like metal,
Sharp against my teeth.
My hands bled trying to hold it back,
But water eats weakness like fire eats air.

​

Your voice was a cold current,
Wrapping tight around my ribs.
I felt you slipping deeper,
Dragged by the weight I couldn’t lift.

​

Now the silence reeks of rot,
And the dark hums with echoes.


If you’re still there,
It’s too far to reach.

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Would you forgive me
If I let the water take us both?

Timethief

Miriam Sharzard

When I was younger I couldn’t fathom how there were people in the world who were dying, right now at this very minute, while I sat still on a barstool eating yoghurt. How could they be going while everyone else was still here? Now I am older and I still don’t get it. How are THEY going and I am still HERE? How is that fair?

 

I think about it all the time. When I’m in the grocery store, staring at apples. How many people left in the time it took me to choose one? How many people are dying while I push a cart down the cereal aisle? It feels obscene, like I’m stealing time that isn’t mine.

​

I wonder if they felt it coming. Did they know they were going? Did they get a warning? A sound, a flash, a shift in the air? Or did it just happen, as sudden as a dropped glass shattering on the floor?

​

Why not me? That’s the part I can’t let go of. Why them and not me? I keep walking through my days like nothing is wrong, but it feels wrong. It feels like I’m trespassing on borrowed ground.

​

I try to justify it. Maybe I’m still here because there’s something I’m supposed to do. Something important. But what if there isn’t? What if there’s no reason at all? What if I’m just here—eating yoghurt. Buying apples.

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Salt of the Soul

Ryan Shally

Without literature, our souls would not survive our minds.
Reason would strip us bare, bone by brittle bone,
Leaving us to wander, ghosts in a labyrinth of thought.
Words are the blood in the stone, the salt in the wind,
The flicker of heat that staves off the cold precision of logic.
Without them, we are machinery, spinning in the dark.

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The Fig Tree: No. 2

Morris L.

The fig tree isn’t the tragedy—it’s the illusion. We stand beneath it, imagining we could pluck its fruit if only we were faster, wiser, braver. But the truth is, the figs don’t belong to us. They fall when they fall, indifferent to our reach, and by the time we realize this, we’ve spent years craning our necks, our hands aching with the weight of nothing. The real choice isn’t which fig to take; it’s whether we can make peace with the emptiness in our hands.

What no one tells you is that the tree is always growing. New figs ripen, new branches stretch skyward, and yet we fixate on the ones we’ve lost, the ones that fell too soon or too far. We imagine their sweetness, their perfection, but we never tasted them; how can we mourn something we never knew? Maybe it isn’t the figs we want, but the promise they hold—the idea that if we could just reach one, it would save us, fulfill us, make us whole. But life isn’t a harvest. It’s a season that comes and goes, and the tree doesn’t care whether we’re ready. The only thing left to do is stand beneath its shade and marvel that it grows at all.

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First Shift

Paige Simmon

He says to enjoy the butterflies

"Take them as they come" he says 

Play it as it lays, I think

I am nauseas again

 

If I try hard enough I feel as though I can unfocus my eyes just right

I can see atoms 

Zoom in just far enough

Can I stay here forever?  

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